feat: the x axis is relative to now, and an export carries both clocks

Three asked-for changes, one commit because they are one coordinate system.

The live axis is a fixed [-window, 0] with the newest sample at 0, so x reads
as an age and the labels stand still while the trace rolls under them. That
makes the display clock distinct from the stream clock for the first time, so
`ScopeModel::stream_at_x0()` becomes the single conversion between them
(`display_x = stream_t - stream_at_x0()` in all four modes) and a snapshot
carries its own origin in `EventSnapshot::x_offset`. The pause view is now
rebased like an event's, reversing an earlier deliberate choice: a frozen
absolute-stamped picture would sit a whole uptime right of a newest-relative
axis. That also fixed a latent bug, the export adding `trigger_time()` to a
*paused* view's stamps.

The status bar says how long you have been paused -- wall time, since the
producer never stops, through `format_elapsed()` so the field cannot widen.

The export writes two time columns: `time`, the axis as displayed, and
`abs_seconds`, the stream's own clock for the same sample. f64 seconds and
not the wire's integer, because `udps_frame_t::values` is a `const double*`
and the integer never exists in this process.

Cursors and measurement marks move in opposite directions under the rolling
axis, deliberately: a cursor is a position on screen and stays put, a mark
names a sample and travels with it. `App::measure_window` is stream-clocked
for a sharper reason -- a display-coordinate live window never moves, so the
"the window moved" recompute would never fire again.

Moves the deps/plotter pin to 58473db, which stops a time label's mantissa
reaching its own radix: a one-second tick differenced off a live axis read
`1e+3ms`.

Co-Authored-By: Claude Opus 4.6 <noreply@anthropic.com>
This commit is contained in:
Martino FerrariandClaude Opus 4.6 committed 2026-10-05 21:49:12 +02:00
1 parent 2f4530c128
commit b313cac46e
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@@ -63,16 +63,66 @@ frame and the GUI thread takes once per frame around binding the traces.
Samples cross the boundary through `plot::data::RingBuffer` (single producer,
single consumer), never through the lock.
## Measurements
## The x axis is relative to now
**A live axis is fixed at `[-window, 0]`, with the newest sample at 0.** That is what a bench
scope in roll mode shows and what the window control's figure means: a 2 s window reads `-2s` to
`0` and keeps reading that for as long as the stream runs, with the trace flowing right to left
under it. The axis used to carry the stream's own clock, so the labels counted the app's uptime
upwards (`20:00`, `20:01`, …) and the one number a user actually wants — how long ago a feature
happened — had to be worked out by subtraction.
Every mode now expresses x as *seconds from the thing the view is about*, and the rule is one
line: `display_x = stream_t - ScopeModel::stream_at_x0()`, where `stream_at_x0()` is the stream
time of display x = 0.
| display mode | x = 0 is | `stream_at_x0()` |
| --- | --- | --- |
| `Live`, `Waiting` | the newest acquired sample | the newest stamp |
| `Capturing` | the accepted edge | the edge |
| `Held` | the event's edge | the snapshot's `x_offset` |
| `Paused` | the instant of the freeze | the snapshot's `x_offset` |
The live answer is written by the frame tick **after** `bind()` and `acquire()`, because it has to
be minus the newest sample the *traces* can report: asking the model before they are bound puts
the newest data a frame's production to the right of the axis, which at 1 MS/s over a 50 ms window
is a third of the screen. It converges in exactly one frame and cannot oscillate — `live_edge()`
reports in the epoch currently in force, so `new = old - live_edge()` is `-raw_newest` whatever the
old value was.
A snapshot carries its own offset (`EventSnapshot::x_offset`) rather than leaning on the model's
epoch, because its coordinates outlive the epoch that produced them. One consequence is a reversal
of an earlier deliberate choice: **a pause snapshot is now rebased** like an event's. Leaving its
stamps on the stream's clock would have thrown the frozen picture a whole uptime to the right of an
axis that is now newest-relative. `x_offset` keeps the stream clock recoverable, which is what the
export's second column reads — and it fixed a latent bug on the way, the export's snapshot branch
having added `trigger_time()` to a *paused* view's stamps: an unrelated edge, or none at all before
the first latch.
Two things move in **opposite** directions under a rolling axis, and the asymmetry is deliberate.
A **cursor** stays on screen: placed at -1.5 s it keeps meaning "1.5 s ago" and the data flows
under it, which is a bench scope's roll behaviour and is free here, the cursors already being
stored in display coordinates. A **measurement mark** is glued to the sample it measured, because
a mark is a *result* rather than an instrument — so the marks are stored in stream seconds and
reconverted every frame (`place_measure_marks()`), which is what makes them drift left with their
own data between recomputes. `App::measure_window` is on the stream's clock for a related reason:
"has the window moved" is the question that triggers a recompute, and a fixed `[-window, 0]` makes
it invisible in display coordinates, so the pane would have computed once and never again.
**Pause freezes the picture, not the acquisition.** The producer keeps writing the live ring
while paused — the same thing it does when the trigger is off — and the plot binds a *snapshot*
of the window that was on screen at the pause, with the axes pinned there. That is the same
immutable-series path a held trigger event uses (`DisplayMode::Paused` sits beside `Held`); the
difference is the anchoring: an event's stamps are edge-relative, a pause's are the stream's own,
so the times on the axis do not change when the pause begins. Resuming drops the snapshot and
immutable-series path a held trigger event uses (`DisplayMode::Paused` sits beside `Held`).
Resuming drops the snapshot and
re-frames on the newest data, so the seconds that passed while paused are *there*, not a hole —
which is what pausing used to leave, because it stopped the producer outright.
which is what pausing used to leave, because it stopped the producer outright. The status bar
says how long it has been frozen (`paused · 10 kS/s · 2 s window · for 12 s`), in **wall**
seconds: the producer never stopped, so the stream's own clock says nothing about how long the
user has been looking at a still picture. It is written through `format_elapsed()`, which steps to
a coarser unit instead of growing digits, because the status row sits directly above the plot and
a field whose width tracks the wait would relayout it.
## Measurements
**The x ticks read relative when, and only when, they could not be written absolutely.** A
`TickFormat::Time` label carries three significant digits, so the test is the tick **step**
@@ -103,8 +153,11 @@ annotation's anchor is a *data* coordinate, so the caption crawled across the pl
drifted under a zoom, which is what it was reported as. The library test is
`the_x_note_is_chrome_that_a_pan_or_a_zoom_does_not_move`: the footprint is measured as the pixels
a frame with the caption differs from the same frame without one, and a pan to another decade plus
a 64× zoom must produce the same box to the pixel. Everything a user copies out —
the cursors' `T0`/`T1`/`dT`, a measurement, an export — stays in absolute stream seconds.
a 64× zoom must produce the same box to the pixel. Everything a user reads off the screen is in
the *display* coordinate the labels name — the cursors' `T0`/`T1`/`dT`, a measurement's time
marks, the crosshair — so live they are negative ages and in trigger mode they are offsets from
the edge. Only the **export** carries the stream's own clock as well, in a second column
(`abs_seconds`); see *Export*.
The anchor is taken by the *axis* on every layout (`Axis::origin_follows_range`), not written
by the app: the window's edge is derived from the newest sample during the layout, so a value
@@ -1107,6 +1160,16 @@ A third, found the same way, is in the tick generator rather than the shaders:
— where the same residue read `3.19e-13ms`. A range whose ticks are *legitimately*
that small keeps them.
4. *One second was labelled `1e+3ms`.* `format_time()` picked its rung by comparing the raw
value against each unit's scale and then wrote the mantissa with `%.3g` — so a tick a hair
under a rung's top (a 1 s tick computed as 0.9999999 s, which is what differencing a live
axis gives) stayed on the rung below and its mantissa *rounded up to 1000*, which `%.3g`
writes in exponential form. The fix is to pick the rung by the **rounded** mantissa
(`t < u.scale * 0.9995`), which is exactly the `>= 999.5` spill guard `format_si()` in the
same file already had; the whole-second branch takes the same slack. The test is
`format_time_never_lets_a_field_reach_its_radix`, extended with the boundary of every rung
from seconds down to nanoseconds and its negative.
**The minor grid is texture, the labelled grid is structure.** The subdivisions used to be
drawn exactly like the labelled lines — same width, same opacity — so a plot dense enough to
need them read as two competing sets of ticks. They are now three things the style states
@@ -1133,6 +1196,7 @@ so it is one path, and it costs what the crosshair's own lookup costs.
Each carries a test upstream (`the_atlas_is_filtered_not_point_sampled`,
`grid_hairlines_land_on_whole_pixels`, `the_tick_at_the_origin_reads_zero`,
`format_time_never_lets_a_field_reach_its_radix`,
`a_sparse_window_between_samples_still_inks_both_margins`), and each
was verified to fail with its own fix reverted.
@@ -1409,16 +1473,30 @@ division.
over the shared x window, at the **stored** sample rate — never the LOD pyramid's
buckets, which are the envelope the renderer drew rather than the acquisition. A
signal on several rows is one column; the columns come out in channel order, so the
file reads in the same order as the signal panel. The table has two time columns:
`time` is the axis as displayed (stream seconds live, `[-pre, +post]` while an event
is held) and `stream_time` is always the stream's own clock, so two exports taken in
different modes line up.
file reads in the same order as the signal panel.
The table has **two time columns**, which is the whole answer to "relative or absolute":
- **`time`** is the axis exactly as it was displayed — negative ages ending at 0 live, offsets
from the edge in trigger mode — so a row's `time` is the x the user read a value at.
- **`abs_seconds`** is the stream's own clock for the same sample: `epoch() + stream_at_x0() +
time[i]`, one expression correct in all four display modes (see *The x axis is relative to
now*). Two exports taken in different modes therefore line up on this column, and
`abs - time` is a constant per file naming where the display's origin sat in the stream.
Both are `f64` seconds and not the wire's integer, because the wire's integer never exists in
this process: `udps_frame_t::values` is a `const double*`, so the time signal has already been
widened by the client before udpscope sees it. One caveat follows from that and from `time`
being a *derived* coordinate: `abs_seconds` is a sum of two numbers of very different
magnitudes, so consecutive differences wobble by a few ULP of the stream's uptime
(femtoseconds at any plausible uptime — note that the `f32` defect this used to guard against
was *microseconds*, four orders of magnitude up).
Two formats, picked by the extension the save dialog ends up with:
| file | what it is |
|---|---|
| `.npy` | one NumPy structured array, `time`/`stream_time` as `<f8` and every signal as `<f4` — the width the ring stores, so the file invents no precision and is about half an all-`f8` one. `pd.DataFrame(np.load(path))` is the whole reader. |
| `.npy` | one NumPy structured array, `time`/`abs_seconds` as `<f8` and every signal as `<f4` — the width the ring stores, so the file invents no precision and is about half an all-`f8` one. `pd.DataFrame(np.load(path))` is the whole reader. |
| `.csv` | the same table as text, `%.17g` for the times and `%.9g` for the values: the shortest widths that round-trip each type exactly. |
Parquet (the original ask) would have meant linking Arrow — tens of megabytes of